1. Zhang Yimou | Biography, Movies, Hero, & Facts | Britannica
Oct 30, 2024 · Chinese director who, as a prominent member of China's “Fifth Generation,” is known for his films that explore sexual repression and political oppression.
Zhang Yimou, Chinese film director who, as a leading member of China’s ‘Fifth Generation,’ is known for films that explore sexual repression and political oppression. His notable movies included Red Sorghum, Ju Dou, Hero, and House of Flying Daggers. Learn more about Zhang’s life and career.
2. The History of Cinema. Yimou Zhang - Piero Scaruffi
Yimou Zhang (China, 1951 - the first name is Yimou) was one of the early students of the Beijing Film Academy when it reopened after the death of Mao.
Yimou Zhang (China, 1951 - the first name is Yimou) was one of the early students of the Beijing Film Academy when it reopened after the death of Mao. His classmates Junzhao Zhang and Kaige Chen launched the Chinese new wave with Junzhao Zhang's One and Eight (1983) and Kaige Chen's Yellow Earth (1984). Yimou Zhang's debut, Hong Gaoliang/ Red Sorghum (1987), is two films in one. The first one is a fairy tale about a fabled realm in which a poor girl becomes a princess, and a satire of sort in that the princess ends up marrying the man who raped her. The second half is a war movie more typical of old Maoist propaganda films (and a bit ridiculous in its emphatic nationalism). The first part is a decent folk tale (enhanced by a baroque visual style) but the second part feels completely out of context. The action takes place in the 1920s in an arid countryside, The narrating voiceover introduces his granma. A beautiful girl is forced by her family to marry the old and gravely ill Big Head Lee simply because the rich man paid with a mule. The men who are carrying the bride to her wedding in the traditional sedan chair make fun of her situation and make her cry. The procession travels through fields of wild sorghum. They are attacked by a masked bandit who threatens to shoot them. The men cowardly surrender their money. Then the bandit peeks inside the sedan chair and orders the girl to get out, clearly determined to rape her. She actually smiles at him and obediently walk into...
3. Zhang Yimou - Senses of Cinema
May 21, 2002 · Zhang was born in Xi'an in 1951 to parents of “bad” class background and reportedly sold his own blood to buy his first camera. (1) He grew up ...
4. Tokyo Talk: Zhang Yimou Lives Like a Monk, But Sires a Film Dynasty
Oct 25, 2023 · China's Zhang Yimou opens up on his obsessive filmmaking process, his admiration for actors, and his emerging film dynasty.
China's Zhang Yimou opens up on his obsessive filmmaking process, his admiration for actors, and his emerging film dynasty.
5. ZHANG Yimou - Festival de Cannes
Zhang Yimou was the first Chinese filmmaker to receive Motion Picture Academy recognition, having been nominated for the Best Foreign Film Academy Award.
One of the most important and influential filmmakers in China, and a core member of China’s “Fifth Generation” directors, Zhang Yimou started his career as a cinematographer and later became a director in 1987. Zhang Yimou was the first Chinese filmmaker to receive Motion Picture Academy recognition, having b
6. Zhang Yimou - BOMB Magazine
Controversy has been persistent in dogging him. As a member of the “Fifth Generation” of Chinese filmmakers—the loose term for the first group of directors to ...
BOMB Magazine has been publishing conversations between artists of all disciplines since 1981.
7. Zhang Yimou guest of honour at the Cinema Heritage festival
Chinese filmmaker Zhang Yimou will receive a lifetime achievement award at the first CINEMA HERITAGE international film festival, organised by the AITYSH France ...
Zhang Yimou, guest of honour at the Cinema Heritage festival, will be honoured for his lifetime achievement at the event, which is organised under the patronage of UNESCO.
8. [PDF] Dr Zhang Yimou
These were epic wuxia (martial arts) films that reinterpreted Chinese history and classic literature. Zhang was richly rewarded for his efforts to develop the ...
9. Zhang Yimou | Coolidge Corner Theater
Born in 1951 in Xi'an, The People's Republic of China, Zhang Yimou was first brought to the attention of worldwide audiences in 1987 with the release of his ...
Our first Coolidge Award was original and challenging in itself! Bestowing the Award on one of the world's most cinematic directors meant getting him from Beijing to Brookline and creating two days of events appropriate to a non-English speaking filmmaker of international renown.
10. Zhang Yimou: Globalization and the Subject of Culture By Wendy Larson
Taking advantage of the great interest in Zhang's work in China and the long-running debate, Zhang Yimou: Globalization and the Subject of Culture uses a wide ...
Zhang Yimou: Globalization and the Subject of Culture By Wendy Larson.
11. ZHANG Yimou - Asian Film Awards Academy
As the leading figure of Chinese cinema's “Fifth Generation”, Zhang has worked tirelessly to leave his mark throughout the history of contemporary Chinese ...
As the Jury President of this year’s Asian Film Awards, Zhang recently shared with the Asian Film Awards Academy his views about filmmaking and looking forward to seeing Asian cinema flourish on the world stage:
12. Zhang yimou, 1951 | Courses in Chinese Language and Culture
Zhang Yimou was born in the ancient Chinese city of Xi'an in Shaanxi Province. As a child, he suffered derision and stigmatization.
Zhang Yimou was born in the ancient Chinese city of Xi’an in Shaanxi Province. As a child, he suffered derision and stigmatization because of his family’s association with the Kuomintang (Nationalist party). His father had been a major under Chiang Kai-shek and an elder brother had followed the Nationalist forces to Taiwan after the 1949 civil war defeat. “Five Black Categories”. When the Cultural Revolution erupted in 1966 he was forced to suspend studying and worked, first as a farm hand, and then, for seven years, as a labourer in a cotton textile mill, much like the one he portrayed in Ju Dou. During this time he took up painting and amateur still photography. He had to sell his blood for five months to get enough money to purchase his first camera when he was 18. When the Beijing Film Academy opened in 1978, Zhang was already 27, over-aged and without the prerequisite academic qualifications. He wrote a personal appeal to the Ministry of Culture, citing “ten years lost during the Cultural Revolution” and offered a portfolio of his personal photographic works. The authorities finally relented and admitted him into the Department of Cinematography.As a result, Zhang graduated from the Beijing Film Academy in 1982 along with compatriots Chen Kaige and Tian Zhuangzhuang (the latter two from the Directing class). They were often referred in unison as the Class of 1982. The students saw both the films of Chinese directors and also European, Japanese, and American art directors...
13. ZHANG Yimou | Laureates | Fukuoka Prize
Zhang was born in Xian City in 1950. Caught up in the Cultural Revolution in 1968, he labored in an agricultural village and a factory for 10 years. He was ...
The Fukuoka Prize honors individuals or groups that have made outstanding achievements in preservation and creation of the unique and diverse cultures of Asia. The aim of the prize is to foster and increase awareness of the value of Asian cultures as well as to establish a foundation on which people can broadly interact and learn from one another.
14. ZHANG YIMOU: HIS LIFE AND PROJECTS - Facts and Details
Zhang Yimou is China's best known and arguably most talented film director. His fondness for exploring Chinese history and its affect on its people
Zhang Yimou is China’s best known and arguably most talented film director. His fondness for exploring Chinese history and its affect on its people have made him a darling of international film critics but often gotten him into trouble at home. His films have won many awards. He has produced several masterpieces. In recent the quality of his work has markedly declined. Zhang was once considered the bad boy of Chinese film but now often works with the blessing of the government, which might explain this trend.
